Adrian Frutiger Wikipedia. Adrian Frutiger 2. May 1. 92. 8  1. September 2. Swiss typeface designer who influenced the direction of type design in the second half of the 2. Schriftstilvariante International fontweight fontstyle breit extended large ancha largo bred breitfett bold extended large gras negra ancha nero largo bredfet. Univers French pronunciation is the name of a large sansserif typeface family designed by Adrian Frutiger and released by his employer Deberny Peignot in 1957. Adrian Frutiger 10 September 2015 was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. World renowned typeface designer, Adrian Frutiger, was commissioned by the Charles De Gaulle Airport near Paris in the late 1960s to develop a typeface. A searchable archive of typographic design, indexed by typeface, format, and industry. Adrian Frutiger designed Avenir in 1988, after years of having an interest in sans serif typefaces. In an interview with Linotype, he said he felt an obligation to. His career spanned the hot metal, phototypesetting and digital typesetting eras. Until his death, he lived in Bremgarten bei Bern. Frutigers most famous designs, Univers, Frutiger and Avenir, are landmark sans serif families spanning the three main genres of sans serif typefaces neogrotesque, humanist and geometric. Univers was notable for being one of the first sans serif faces to form a consistent but wide ranging family, across a range of widths and weights. Frutiger described creating sans serif types as his main lifes work,1 partially due to the difficulty in designing them compared to serif fonts. Early lifeeditAdrian Frutiger was born in Unterseen, Canton of Bern, the son of a weaver. As a boy, he experimented with invented scripts and stylized handwriting in a negative reaction to the formal, cursive penmanship then required by Swiss schools. His father and his secondary school teachers encouraged him to pursue an apprenticeship rather than pure art. After initially planning to train as a pastry chef, Frutiger secured an apprenticeship at the Otto Schlaefli printing house in Interlaken. Formative years and personal lifeeditAt the age of sixteen, he was apprenticed for four years, as a compositor, to the printer Otto Schlaeffli in Interlaken, also taking classes in woodcuts and drawing at the Gewerbeschule in Bern under Walter Zerbe, followed by employment as a compositor at Gebr. Fretz in Zrich, Switzerland. In 1. 94. 9 he transferred to the Kunstgewerbeschule Zrich, where he studied under Walter Kch, Karl Schmid and Alfred Willimann until 1. Students there studied monumental inscriptions from Roman forum rubbings. At the Kunstgewerbeschule Zrich, Frutiger concentrated on calligraphy  a craft favouring the nib and the brush, instead of drafting tools, but also began sketches for what would become Univers, influenced by the sans serif types popular in contemporary graphic design. Frutiger married Paulette Flckiger in 1. Stphane. 1. 01. He remarried the theologian Simone Bickel in 1. They had two daughters, who both experienced mental health problems and committed suicide as adolescents. Disappointed by the standard of mental health care at the time, Frutiger and his wife founded the Fondation Adrian et Simone Frutiger to fund psychology and neuroscience research and developments in mental health support. In an interview, Frutiger described himself as a Calvinist. Frutiger spent most of his professional career working in Paris and living in France, returning to Switzerland later in life. Specimens of typefaces by Adrian Frutiger. Charles Peignot, of the Paris foundry Deberny et Peignot, recruited Frutiger based upon the quality of the illustrated essay Schrift criture Lettering the development of European letter types carved in wood, Frutigers final project at the Kunstgewerbeschule Zrich. Frutigers wood engraved illustrations of the essay demonstrated his skill, meticulousness, and knowledge of letter forms. Type Theory is a journal of contemporary typography featuring news, views, reviews and interviews. Details of large, multiscript Windows fonts that include Unicode character ranges and that can be used to display Web pages containing many languages, scripts and. Buy Frutiger Complete Family Pack desktop font from Linotype on Fonts. At Deberny Peignot foundry, Frutiger designed the typefaces Prsident, Mridien, and Ondine. In addition, Charles Peignot set Frutiger to work upon converting extant typefaces for the new phototypesetting Linotype equipment. Adrian Frutigers first commercial typeface was Prsident  a set of titling capital letters with small, bracketed serifs, released in 1. Frutiger 55 Roman Font' title='Frutiger 55 Roman Font' />A calligraphic, informal, script face, Ondine wave in French, also was released in 1. In 1. 95. 5, Mridien, a glyphic, old style, serif text face was released. The typeface shows inspiration by Nicolas Jenson, and, in the Mridien type, Frutigers ideas of letter construction, unity, and organic form, are first expressed together. Raph Levien described as a Frutiger trademark his common use of an a where the loop makes a horizontal line at the top on meeting the vertical. It makes use of narrow wedge serifs, a style sometimes known as Latin which Frutiger would often use in his future serif designs. In 1. 95. 6, he designed his first of three, slab serif typefaces  Egyptienne, on the Clarendon model after Univers, it was the second, new text face to be commissioned for photo composition. Universedit. Univers Bold Condensed on a London street sign. Charles Peignot envisioned a large, unified font family, that might be set in both the metal and the photo composition systems. Impressed by the success of the Bauer foundrys Futura typeface, Peignot encouraged a new, geometric sans serif type in competition. Frutiger disliked the regimentation of Futura, and persuaded Peignot that the new sans serif should be based on the realist neo grotesque model. The 1. Akzidenz Grotesk, is cited as the primary model. To maintain unity across the 2. In the Univers font, Frutiger introduced his two digit numeration the first digit 3 though 8 indicates the weight, 3 the lightest, 8 the heaviest. The second digit indicates the face width and either roman or oblique. It was marketed with a design inspired by the periodic table. The response to Univers was immediate and positive he claimed it became the model for his future typefaces. His slab serif designs Serifa 1. Glypha 1. 97. 7 are directly based upon it. Univers attracted attention to Frutigers work outside continental Europe, and he was commissioned by Monotype to create Apollo, their first typeface specifically created for phototypesetting, which was released in 1. Frutigeredit. Frutiger in use by the Dutch rail system. In 1. 96. 16. 4, Frutiger created with Andr Grtler a sans serif font named Concorde for news use in regular and bold styles for Parisian printing company Sofratype. Required to create a design clearly different to Univers, the design based on classical capitals with a greater classical influence than Univers, partially influenced by a serif design Opra he had worked on in the interim. The design failed to attract attention and was withdrawn from sale after a few years. In 1. 97. 0, Frutiger was asked to design signage at the new Charles de Gaulle Airport in the Roissy suburb of Paris. New Order Low Life Rapidshare. The way finding signage commission brief required a typeface both legible from afar and from an angle. Frutiger decided to adapt Concorde using legibility research as a guide, and titled the new design Roissy. In 1. 97. 4, the Mergenthaler Linotype Company commissioned Frutiger to develop a print version of Roissy with improvements such as better spacing, which was released for public use under the name of Frutiger in 1. Extremely legible at a distance or at small size, Frutiger became hugely influential on the development of future humanist sans serif typefaces font designer Erik Spiekermann described it as the best general typeface ever while Steve Matteson described it as the best choice for legibility in pretty much any situation at small text sizes.